‘Slutcracker’ Is Good & Smutty Holiday Fun (4 Stars)
‘The Slutcracker’ Created, Directed and Choreographed by Vanessa White; Score Adapted by Mikel Toms of First Creative and the Brno Philharmonic from the original score by Pyotr Ilyich Tchaikovsky. At the Somerville Theater, 55 Davis Square, Somerville, MA through 12/31.
Have you ever gone to “The Nutcracker” and left the theater thinking to yourself, “That was pretty good, but you know what would make it even better? Some nipple clamps, a couple of dominatrixes and a 10 foot peppermint stick dildo!” Even if you haven’t had those thoughts, you’ll probably still have a raunchy good time at the often outrageous, never boring presentation of the ‘Slutcracker’ running through New Year’s Eve at the Somerville Theater in Davis Square
.
Let me first warn you that “Slutcracker” isn’t for everyone,
 particularly evangelicals, conservatives or anybody who thinks sex begins and
 ends with married men and women doing it in the missionary position. That is
 clear right from the outset when MC Mehran Khaghani welcomes all the
 “sluts” to the show and promises them that they can be sluts and
 still find love, apparently as long as they’re willing to indulge in massive
 amounts of overly enthusiastic oral sex. 
In case you haven’t guessed, the “Slutcracker” is a parody of the
 holiday favorite, ‘The Nutcracker’ the two-act ballet with a score by Pyotr
 Ilyich Tchaikovsky that traditionally is performed around Christmas by ballet
 companies all over the world, but has sadly always lacked crucial porn
 elements. Until now (or more precisely, six years ago when this version was
 first performed). The Slutcracker is essentially what you’d get if the Boston
 Ballet and the Golden Banana on Route 1 had a baby. On Christmas. What it is a
 re-telling of the classic tale that substitutes burlesque dancers for
 ballerinas, leather fetishists for Sugar Plum fairies, and in place of
 Nutcrackers, we get a vibrating marital aid (one that also comes to life and
 gives joy to young girls).
The plot pretty much follows the original, except Clara and Fritz are now a
 just-engaged couple, and drunken Christmas party guests stand in for the
 children. The Drosselmeyer role is assumed by an oversexed Auntie instead of
 the neighborhood magician, and she gives her niece the vibrator that will soon
 become her real life lover in the form of the Slutcracker Prince (whose costume
 is pretty priceless). Hilarity, debauchery and some titillating dance routines ensue.
Although staged as a ballet, this is more of a party event (a la Rocky
 Horror) than a “sit down and shut up” theater performance. There
 isn’t as much audience participation, but a number of performers run up and
 down the aisles throughout the show. Some of the dancers are actually quite
 good, particularly Oliver Tryst (as the Slutcracker Prince) and director and
 creator Vanessa White as the Sugar Dish Fairy, and there are a number of
 standout performers and performances, including a routine involving electric
 hula hoops and a very funny orgy number. Not all of the cast are trained ballet
 dancers, but they all seem to have some sort of background in dance and move
 beautifully for the most part. The choreography is well executed in synch with
 the score and the enthusiasm level of the cast seems boundless. One of the
 interesting things about this show versus ballet (or a strip joint for that
 matter) is that burlesque accommodates lots of body types, so the dancers don’t
 look like they have eating disorders or aren’t your standard Foxy Lady pole
 dancers, either. There’s a mix of very fit people mixed in with some
 plus-sizes, petites and even a body builder. Just like the rest of the human
 race. In case you’re wondering, there’s no full nudity or even topless
 performances, so it’s more like a fetish version of the Victoria Secret catalog
 that comes to your mailbox. The costuming is imaginatively pervy, and the sound
 system at the Somerville Theater is killer, which is a huge plus given that the
 crowd (which tends to be dominated by twenty-somethings but has plenty of older
 folks as well) is a lot more raucous than say, the people that attend the
 symphony.
There are two casts for the run of this show (“Amazing” and
 Bodacious”) so if you’ve got a friend in this production, you may want to
 check with them to make sure they’ll be performing that night. This is a great
 alternative to the standard holiday fare, and a whole lot sexier than
 “It’s a Wonderful Life”. For more info, go to: http://www.theslutcracker.com/home.html